...is Arte's Das Gesetz von Las Vegas. This is a series of five two-hour documentaries about real criminal cases in Las Vegas. I watched the fourth installment online (HT A.M.; thanks for the links!) and was deeply impressed. The fifth and final installment of this series airs tonight at 20:40, and I strongly recommend it. The fourth episode involved the murder trial of De Rac Hanley, a 71-year-old alcoholic living in public housing for senior citizens. For reasons that are never really made clear, Hanley viciously stabbed one of his neighbors to death in Hanley's own apartment. The victim a 70-year-old man who, Hanley claims, had made sexual advances toward him. Hanley is put on trial in Clark County, Nevada for murder.
He is assigned two public defenders (Pflichtverteidiger, lawyers who work for an agency that represents indigent clients) from the local Public Defender (PD) office, and is prosecuted by two relatively young prosecutors. We see both sides preparing for the case: tracking down witnesses, lining up testimony from pathologists and psychologists, and honing their trial strategy. The defense lawyers travel quite a bit to track down people who might be able to shed light on Hanley's history and state of mind. Not only do they learn quite a bit about him, they also bring him back into touch with his estranged wife and daughter, who attend most of the trial. We see photos of Hanley in better days, when he cut a dashing figure as an Irish immigrant with a taste for adventure. Injuries, and the addiction to alcohol and painkillers that developed out of them, laid him low. We learn much less about the victim, but not for lack of trying; nobody can find any of his living relatives. The last part of the film traces Hanley's trial to its sobering conclusion. The film was fascinating, funny, and quite moving at times.
Three things make this series unusual, and really interesting:
- The filmmakers seem to have gotten pretty much unlimited access from all participants. We learn everybody's real name, and accompany camera crews into the houses of victims' relatives, alcoholics living in shelters, and respectable middle-class witnesses. We also see the prosecution and defense teams preparing their strategies. We are even permitted to see the defense lawyers conferring with their own client before trial, and deciding whether he should take the witness stand. As any lawyer knows, these conversations are strictly protected by the attorney-client privilege; seeing them onscreen is an unheard-of privilege for outsiders. The filmmakers must have gotten consent from dozens of people to get this level of access.
- We see the defense and the prosecution in about equal measure. The prosecutors have their own problems to deal with: recalcitrant witnesses, potential weaknesses in their case, sympathy factors, etc. The public defenders are very good. Judging from the morale, the amount of resources, and the skill of the courtroom presentation, the Clark County PD's office would seem to be doing an excellent job.
- Related to number 2, the documentary doesn't take sides; it's almost Wiseman-like in its neutrality. The prosecutors aren't portrayed as vengeance-driven ogres, as is usually the case in European documentaries about the American criminal justice system. Nor is the defendant portrayed as a misunderstood victim of circumstances. Nor is the crime he committed glossed over as if it were irrelevant: we see photos of the crime scene, which are not for the faint of heart. Most importantly, there is no voice-over, telling us what to think about what we've seen, helping us fit it all into the predictable, stuffy world-view of European cultural elites. The directory, Rémy Burkel, simply allows the viewer to make up his or her mind about the case. Europeans will surely be surprised by much of what they see, but no narrator takes their hand and patiently instructs them as to why they should disapprove of it. For this blessed omission alone, Burkel deserves a shower of accolades
Well, if I haven't convinced you yet, at least I've done my best. Arte, to their eternal credit, seems to have put together a bunch of online special features, including a 'hypervideo' of the series that gives you extra access to background information. If you do watch the show, tell me what you thought of it in comments, please.
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